February 28, 2019 - Issue: Vol. 165, No. 37 — Daily Edition116th Congress (2019 - 2020) - 1st Session
CELEBRATING THE LIFE OF BETTIE MAE FIKES; Congressional Record Vol. 165, No. 37
(Extensions of Remarks - February 28, 2019)
Text available as:
Formatting necessary for an accurate reading of this text may be shown by tags (e.g., <DELETED> or <BOLD>) or may be missing from this TXT display. For complete and accurate display of this text, see the PDF.
[Extensions of Remarks] [Pages E229-E230] From the Congressional Record Online through the Government Publishing Office [www.gpo.gov] CELEBRATING THE LIFE OF BETTIE MAE FIKES ______ HON. TERRI A. SEWELL of alabama in the house of representatives Thursday, February 28, 2019 Ms. SEWELL of Alabama. Madam Speaker, I rise today to honor the extraordinary life of Ms. Bettie Mae Fikes, the ''Voice of Selma.'' At the age of 16, Ms. Fikes was one of the singers of the Civil Rights Movement and a member of the Students Nonviolent Coordinating Committee (SNCC), which was the only national civil rights organization led by young people during the Movement. Ms. Fikes bravely led marches with songs, registered voters, boycotted buses, sat in at lunch- counters and led walkouts at R.B. Hudson High School to support the desegregation of the school. From an early age, Ms. Fikes began singing with her parents, both of whom were from families of gospel singers and preachers. Ms. Fikes was exposed to classic hymns and songs and was encouraged to use her voice to sing with her parents. At the tender age of four, Ms. Fikes had her first big performance: her first church solo. With that success, she began to travel throughout the country with her parents' groups, the SB Gospel Singers and the Pilgrim Four. However, when Ms. Fikes's mother passed away when she was 10 years old, she moved around from Michigan, California, and finally to Selma, Alabama. Ms. Fikes continued to be involved in singing in the church when she moved to Selma. She used every opportunity she could to let her voice be heard. It is no surprise, given her background that she proved to be an emerging music leader when she joined SNCC at age 16. The more she became involved with SNCC, the more it became apparent that she would go to jail. The foot soldiers of the Civil Rights Movement prepared themselves for the eventuality that they would be arrested. If an officer announced that they were under arrest, they knew to fall to their knees and to force the officers to carry them to the bus. However, when the time came, Ms. Fikes and her friend Evelyn Manns realized the police were using cattle prods on the young men and women. Hoping to avoid this pain, both women stood up and loaded the bus to go to jail. Ms. Fikes bounced between the county and city jail, Camp Selma and Camp Camden. She was brought before Judge Reynolds where she was repeatedly asked who organized the march. Judge Reynolds and others hoped that the students would implicate Martin Luther King, Jr. in hopes of building a case against Dr. King for contributing to the delinquency of minors. Instead, Ms. Fikes loudly declared: ``Jesus lead me, and my mama feed me.'' This frustrated the judge and led to Ms. Fikes being jailed for nearly three weeks. Instead of being defeated, Ms. Fikes used this time to organize other young people who were also sent to jail. ``I had been there so long I felt like a trustee there,'' she once said. With this new Trustee status and the assistance of Reverend F.D. Reese of Ebenezer Missionary Baptist Church in Selma, Ms. Fikes was able to help others. Ms. Fikes also bore witness to Bloody Sunday. That morning Ms. Fikes was a messenger, carrying messages from Brown Chapel AME to the head of the line at the base of the Edmund Pettus Bridge. She described the experience later, saying, ''You know how it feels just before a storm-- there was nobody walking on the streets . . . it was such a stillness that you can't explain.'' As tensions rose, Ms. Fikes continued delivering messages back and forth, when, finally, a half block from the church, she heard the rumbling of Bloody Sunday: ``Out of this stillness, this earthquake [sound], the ground it just shifted . . . and when I looked up . . . people were running everywhere.'' Despite the hate and the violence, Ms. Fikes saw the true spirit of the foot soldiers of Selma. After her time in Selma, Ms. Fikes went on to become a very successful singer who has [[Page E230]] graced the stages of Carnegie Hall and the Library of Congress, as well as the 2004 Democratic National Convention where she was introduced by Maya Angelou. She has had the opportunity to perform with Joe Turner, Lightnin' Hopkins, Albert King, James Brown, Bob Dylan, and Mavis Staples, among others. She continues to travel throughout the United States and Canada to speak about diversity and civil rights, because although we have come a long way, there is always work to be done to advance justice and equality. On a personal note, I grew up in Selma hearing the voice of Bettie Mae Fikes. Her beautiful voice was the soundtrack of the historic march from Selma to Montgomery. I am so grateful that she faithfully returns on the pilgrimage to Selma each year with Congressman John Lewis and the Faith and Politics Institute to commemorate Bloody Sunday. Her beautiful music continues to move us all as we rededicate ourselves to the ideals of equality and justice for all. I know that I would not be Alabama's first black Congresswoman today had it not been for the bravery and sacrifice of freedom fighters like Bettie Mae Fikes. Madam Speaker, on behalf of the 7th Congressional District and the State of Alabama, I ask my colleagues to join me in celebrating the activism and lasting contributions of Ms. Bettie Mae Fikes. Through song, her melodious voice was an inspiration for the Civil Rights Movement that changed a nation. Her work as an educator, her incredible voice and her story will be remembered in Alabama for many years to come. ____________________